Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Alexey Gavrilovich Venetsianov
Dreaming little shepherd

ID: 88621

Alexey Gavrilovich Venetsianov Dreaming little shepherd
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Alexey Gavrilovich Venetsianov Dreaming little shepherd


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Alexey Gavrilovich Venetsianov

painted Morning of the land-lady in 1823  Related Paintings of Alexey Gavrilovich Venetsianov :. | Classical hunting fox, Equestrian and Beautiful Horses, 212. | Philip IV | Grape with Walnut | Flood | Pieta1 |
Related Artists:
Walt Louderback
American, 1887-1941
Robert Hills
British Painter, 1769-1844 English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings
Filippo Brunelleschi
Italian Early Renaissance Sculptor and Architect, 1377-1446,Florentine architect and engineer. Trained as a sculptor and goldsmith, he turned his attention to architecture after failing to win a competition for the bronze doors of the Baptistery of Florence, having tied with Lorenzo Ghiberti. He worked out the laws of linear perspective (later codified by Leon Battista Alberti). By the early 1420s Brunelleschi was Florence's most prominent architect. His major work, the octagonal dome of the cathedral (1420 ?C 36), was constructed with the aid of machines of his own invention. The Medici family commissioned him to design the (old) sacristy and basilica of San Lorenzo (begun 1421), considered keystones of the early Renaissance; he adhered to the conventional format while adding his own interpretation of antique designs for capitals, friezes, pilasters, and columns. His later monumental works foreshadowed the strong profiles and massive grandeur of the work of Alberti and Donato Bramante.






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